e-bulletin 29
December 2007

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2007 Open House on YouTube

You missed our September 2007 Open House? Producer-director Dominic Goyer filmed it all and you can catch the “best of” that very special day on YouTube.

Please send us your comments; they are always much appreciated.

Christian Lapointe and La Pire espèce

Brigitte Haentjens, 2007 winner of the Siminovitch Prize (Directing) was awarded a cheque for $75,000. As her protégés, she chose a young Quebec City director, Christian Lapointe (Mise en scène, 2005), and the Montreal-based ensemble Théâtre de la Pire Espèce, co-directed by Francis Monty (Écriture dramatique, 1997) and Olivier Ducas, who each received half of the remaining $25,000. The prize founders have structured the Siminovitch Prize in this way to underscore the importance of mentorship in Canadian theatre.

Click here and read the media release and Ms Haentjens acceptance speech.

ÉNT will hold an information session at the Monument-National

Tuesday, January 29, 2008, 15 days before the February 15th cut off date for applications, the School will hold its second information session/open house event (in French only) at its theatre, the Monument-National (1182, St-Laurent Blvd.) in the tradition of college, cegep and university open houses. It will be the perfect occasion to meet all of the program directors of the French section and visit the Monument-National, its three theatres, set, props and costume ateliers, and workshops. L’École nationale de théâtre is addressing itself to all candidates interested in the French training programs.

Confirm your presence >>

Visiting Teachers and Mentors

This is such a busy time of year for the School. Both the French and English sections are in the midst of major, end-of-session projects – Devised Physical Theatre, Choral concerts, writing and directing projects, readings, and, of course, the main stage English show – Restoration! Speaking of which, Terri Gillis, Production and Facility Manager of Vertigo Theatre, is here as technical direction coach. Andrea Lundy, lighting designer of such plays as John Mighton’s Half Life, Carole Fréchette’s (Interprétation, 1973) Helen’s Necklace, Daniel Brooks’s The Eco Show, and most recently Morris Panych’s Benevolence (Tarragon Theatre), is here as lighting design coach of said piece. Actors Paul Dunn (Acting, 1998) and Damian Atkins were back for a couple of days at the end of November to continue their vocal masque work with first year Acting students, and Adam Pettle (Playwriting, 1999) breezed through in mid-November to lead an intensive session of writing for television with 2nd year playwrights.

That’s it for this session – more to come next year!

Happy Holidays!

It’s the holiday season and whichever way you celebrate it, we just couldn’t resist inviting you to sing along with us (you’ll recognize the song) – “Through the years we all will be together, If the Fates allow, Hang a shining star upon the highest bough. And have yourself a merry little Christmas now.”

The School will be closed from December 24 to January 4 inclusively.

The Library is already on its holiday season loan schedule.

Thanks to photographers Maxime Côté, Tim Leyes.

Go from Student to Professional
at the NTS

It’s that time of year again when theatre students are seriously thinking of applying to the National Theatre School of Canada (NTS).

From backstage to centre stage, the NTS prepares its students to become leaders in the performing arts. Offering highly personalized training in Acting, Directing, Playwriting, Production, and Set and Costume Design in both official languages, the NTS is currently looking for the next generation of theatre artists who will come and study at the School. Please note, the Directing Program is not being offered in the 2008-2009 school year; applications for this program will be accepted in Spring 2009. For all other programs, interested candidates only have until February 15th, 2008 to apply.

Located in one of the liveliest and most culturally diverse districts in Montreal, the NTS stands out as one of the few conservatory-type institutions in the world that unites all the theatre disciplines under one roof. Under the guidance of Artistic Director Sherry Bie and program directors Danièle Lévesque, Brian Drader, Micheline Chevrier, and Lesley MacMillan, the School’s faculty consists of articulate, dedicated and professional theatre artists. Students benefit from individualized training and daily contact with directors, artists and creators active in shaping theatre across the country and abroad. For more information, click here.

To apply, simply visit our website and complete the on-line application form.

Once again, CanWest Global Communications Corp. is the proud sponsor of the NTS National Applications and Auditions.


Restoration

The 2008 English graduating class of the National Theatre School of Canada (NTS) is proud to present Edward Bond’s play Restoration, directed by Alisa Palmer, with musical direction by Toronto-based singer, songwriter and banjo man John Millard (adapted from the original compositions by Nick Bicat), from December 11 to 15 at the Monument-National’s Ludger-Duvernay Theatre.

Written by Bond in 1981, Restoration is a dramatic critique of the Restoration period’s comedies (the likes of Sheridan, Goldsmith and Vanbrugh). Set in eighteenth-century England, an era when men were at their most peacock clad, with wigs and patches and high heeled shoes set with precious stones, Restoration tells the story of Lord Are, a foppish aristocrat who is forced by poverty into an unwanted marriage with the daughter of a wealthy mine owner. Possessing a villainous disregard for those employed by him, Are seeks to pin responsibility for one of his crimes on his manservant Bob.

Read the media release.

Simon Brault and RV07

Last November 12 and 13, the Montréal, Cultural Metropolis – Rendez-vous November 2007 (RV07) meeting was held, uniting representatives of the arts and culture community, members of the municipal and provincial governments, members of the business community, as well as other members of civil society, in an action-based context, to discuss and announce projects, measure progress and maintain a focus on cultural matters. NTS Director General Simon Brault, in his capacity as President of Culture Montreal, was the chair of the steering committee and chief organizer of this mega event. For eighteen months, he worked hand in hand with the five major players of RV07: the city of Montréal, the Board of Trade of Metropolitan Montréal, the Government of Québec, the Government of Canada, and Culture Montréal.

In his opening address, the Mayor of Montréal, Gérald Tremblay, set the tone by stating that the goal of the event was to rally in support of a vision of Montreal as a cultural metropolis of the 21st century. 1,200 participants attended this 2-day event, either by addressing, presenting or networking, leading Simon Brault to conclude that this was an historic moment in the cultural evolution of the city of Montréal because all the important players rose to the occasion – cultural decision-makers, business leaders and politicians. He sincerely hopes that this new spirit of collaboration will continue far beyond the conference.

Such was the enthusiasm surrounding Simon Brault’s superior organizational skills that Québec’s House of Commons unanimously adopted a motion put forward jointly by Culture Minister Christine Saint-Pierre and the two opposition cultural critics, citing his exceptional work and talent. Kudos to Simon for his indefatigable spirit, his cultural activism, his leadership skills, and his forward thinking! Bravos all around to the fine work of the steering committee that succeeded in making this a touchstone event.

Read about the major orientations of RV07.

CALP – Next Intake

The Cultural and Artistic Leadership Program (CALP) is presently in its third year and its success can be measured by the impressive presentation of close to 50 works, on both the English and French sides. All CALP projects have proven that an idea can be nurtured and furthered by the knowledge that there are financial resources available to NTS students or recent grads. The CALP proposals essentially act as a training ground, encouraging the applicant to give form to a creative notion or innovative idea and package it financially. These are crucial steps in the grant application processes that will follow many artists throughout their careers. None of this would be possible without the support of the J.W. McConnell Family Foundation and the NTS is deeply thankful.

Projects that have taken the lead range from new exploratory theatre forms, musicals, puppetry, and in situ pieces, to community outreach. Take for example graduating Acting student Brendan McMurtry-Howlett’s (our picture), …and stockings for the ladies, written by Attila Clemann and directed by Zack Fraser. It has been acclaimed at both the 2007 Montreal and Toronto Fringes and Montreal’s Centaur Theatre has picked it up for its 11th Wildside Festival, January 8, 10 and 12, 2008. 2004 Acting graduate Anita Majumdar’s new CALP aided work The Misfit will be performed in early January 2008 at the PuSh Festival in Vancouver . Her first CALP project and Dora nominated show Fish Eyes, directed by fellow graduate Gregory Prest, has travelled the globe and recently opened the 2007 PEI Victoria Playhouse Summer Theatre Festival.

Next submission date for 2005, 2006 and 2007 graduates and all NTS students: January 15, 2008.

All you need to know about CALP.

Do You Want to Have Backstage Access?

For the second year in a row, from December 28, 2007 to January 6, 2008 (closed January 1), the School will take part in Backstage Access, an interactive event held at the Montreal Science Centre, in the Old Port. Visitors will be able to discover what actually goes on behind the scenes and experience first hand a variety of stage-related activities, for instance: working projectors, operating sound and lighting boards during scenes from real shows, creating audiovisual effects, and learning how to work the flies. By running the show themselves, they will see that science is everywhere, even on stage. Spectators can also visit dressing rooms featuring a variety of costumes and enjoy an exhibition of set and costume maquettes.

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